For most news-style setups, I’d start with the Torjim 100W Softbox Lighting Kit: its quick-release softbox and grid offer useful control for shaping a presenter’s light. The Andoer bi-color kit stands out for adjusting color temperature, while the Godox SK400II two-light kit suits studios that need more output and flash capability. The main tradeoffs are continuous LED convenience versus strobe power, and a compact, simple setup versus more control and space requirements. I compare all 13 news studio lighting kits below so you can match a kit to your room, camera workflow, and on-air needs.
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Key Takeaways
- The Torjim 100W kit is the most news-focused control option: its grid and quick-release softbox address spill and setup time better than basic softbox bundles.
- Bi-color control is a practical advantage for mixed-light rooms: the Andoer kit can adapt more readily to existing room light than fixed-color bulb kits.
- The Godox SK400II is a different class of tool: its two studio strobes favor high-output still photography or controlled production, not simple continuous lighting for live video.
- More included pieces do not always mean a better studio: the ShowMaven backdrop bundle prioritizes a ready-made set, while other kits put more emphasis on lighting.
- Kit duplication matters: the Torjim 85W option appears twice in this lineup, so those listings should be checked for package differences rather than treated as distinct lighting designs.
| LINCO AM169 Photo and Video Studio Lighting Kit |  | Best All-in-One Backdrop Kit | Softboxes: 2 Pavo Real, 24 × 24 in | Umbrellas: 2, 33 in | LED bulbs: 4, daylight-balanced, 5700K | VIEW LATEST PRICE | See Our Full Breakdown |
| Andoer Softbox Photography Lighting Kit with 85W Bi-Color LED Lights |  | Best for Three-Point Lighting | Lights: 3 LED lights, listed as 85W | Color temperature: 2800–5700K | Brightness adjustment: 1%–100% | VIEW LATEST PRICE | See Our Full Breakdown |
| EMART Softbox Photography Lighting Kit with 50W LED Bulbs and Boom Arm |  | Best for Accurate Skin Tones | Bulbs: 3 × 50W LED | Color temperature: 3000–6000K | Brightness: Stepless dimming, 1%–100% | VIEW LATEST PRICE | See Our Full Breakdown |
| Torjim Softbox Photography Lighting Kit with 85W LED Bulbs |  | Best Simple Two-Light Setup | Softboxes: 2, 20 × 20 in | Bulbs: 2 LED bulbs, 85W each | Color temperature: 3000–7500K | VIEW LATEST PRICE | See Our Full Breakdown |
| ALTSON USB LED Photography Lighting Kit with Adjustable Tripods and Color Filters |  | Best Compact Desk-Stream Kit | Panels included: 3 | Panel size: 5.73 × 3.78 in | LED beads: 70 per panel | VIEW LATEST PRICE | See Our Full Breakdown |
| Godox SK400II 800Ws Studio Strobe Monolight Kit, 2 Lights |  | Best for Controlled, High-Output Studio Setups | Lights: 2 SK400II strobe lights | Flash power: 800Ws | Wireless control: 2.4GHz RF; range up to 100 m | VIEW LATEST PRICE | See Our Full Breakdown |
| Torjim 100W Softbox Lighting Kit with 24-Inch Quick-Release Softbox and Grid |  | Best Single-Light Kit for Video | Light power: 100 watts | Brightness: Stepless dimming | Color temperature: 3000–6500K | VIEW LATEST PRICE | See Our Full Breakdown |
| Torjim Softbox Photography Lighting Kit with 85W LED Bulbs |  | Best Beginner Two-Light Kit | Softboxes: 2, each 16 × 16 inches | Bulbs: 2 adjustable 85W LED bulbs | Color temperature: 3000–7500K | VIEW LATEST PRICE | See Our Full Breakdown |
| Skytex Softbox Lighting Kit with Three LED Bulbs and Adjustable Stands |  | Best for Multi-Angle Set Coverage | Softboxes: Two 20 × 28-inch rectangular softboxes and one 28-inch octagonal softbox | LED bulbs: 3 × 85 W | Color temperature: 2700–6400 K | VIEW LATEST PRICE | See Our Full Breakdown |
| Skytex 2-Pack Softbox Lighting Kit with Dimmable LED Bulbs |  | Best Value for a Two-Light News Desk | Softboxes: 2, each 20 × 28 inches | Bulbs: 85W dimmable LED bulbs | Color temperature: 2700K–6400K | VIEW LATEST PRICE | See Our Full Breakdown |
| UBeesize Softbox Photography Lighting Kit, 20 × 20 in |  | Best for Adjustable Color | Softbox size: 20 × 20 in | Bulb power: 85W each | Color temperature: 3000–7500K | VIEW LATEST PRICE | See Our Full Breakdown |
| NEEWER 700W Equivalent Softbox Lighting Kit, 2-Pack |  | Best for Taller Presenter Setups | Softbox size: 24 × 24 in (60 × 60 cm) | Bulbs: 2 × 35W LED | Color temperature: 5700K | VIEW LATEST PRICE | See Our Full Breakdown |
| ShowMaven Photography Lighting Kit with Softboxes and Backdrops |  | Best for Building a Full News Set | Light bulbs: 5 × 45W CFL | Color temperature: 5500K | Light stands: 5 adjustable stands, 27–78 in | VIEW LATEST PRICE | See Our Full Breakdown |
| news studio lighting kit | Color temperature | Softboxes |
|---|---|---|
| LINCO AM169 Photo and Video St | — | 2 Pavo Real, 24 × 24 in |
| Andoer Softbox Photography Lig | 2800–5700K | 3, 50 × 70 cm (20 × 28 in) |
| EMART Softbox Photography Ligh | 3000–6000K | Two 16 × 16 in and one 20 × 20 in octagonal |
| Torjim Softbox Photography Lig | 3000–7500K | 2, 20 × 20 in |
| ALTSON USB LED Photography Lig | — | — |
| Godox SK400II 800Ws Studio Str | 5600 K | — |
| Torjim 100W Softbox Lighting K | 3000–6500K | — |
| Torjim Softbox Photography Lig | 3000–7500K | 2, each 16 × 16 inches |
| Skytex Softbox Lighting Kit wi | 2700–6400 K | Two 20 × 28-inch rectangular softboxes and one 28-inch octagonal softbox |
| Skytex 2-Pack Softbox Lighting | 2700K–6400K | 2, each 20 × 28 inches |
| UBeesize Softbox Photography L | 3000–7500K | — |
| NEEWER 700W Equivalent Softbox | 5700K | — |
| ShowMaven Photography Lighting | 5500K | 3, 20 × 28 in |
More Details on Our Top Picks
LINCO AM169 Photo and Video Studio Lighting Kit
For a small news set that needs both lighting and a changeable background, the LINCO AM169 covers more ground than the other kits here. It combines two softboxes and two umbrellas with three muslin backdrops and a support frame, so a presenter can be separated from a plain or green background without sourcing another kit. That breadth makes it more set-ready than the Andoer, which offers three adjustable LED softboxes but no backdrops. The tradeoff is less lighting control: its four daylight bulbs are listed as both 30W and 23W, and the stated CRI of 80 is modest for accurate skin tones. I’d choose it for a fixed, space-conscious studio that values background flexibility over fine color tuning, not for buyers seeking high color fidelity or a compact pack-down.
Pros:- Includes three muslin backgrounds and an adjustable support system.
- Two softboxes and two umbrellas provide different ways to soften and shape light.
- Four stands and a carrying bag support a complete small-studio setup.
- Daylight-balanced bulbs simplify matching the kit’s lights to one another.
Cons:- Bulb wattage conflicts between the description and specifications, making output harder to judge.
- CRI 80 may render skin and set colors less accurately than the EMART kit’s CRI of at least 93.
- Four stands plus a backdrop frame require more floor and storage space than the compact ALTSON kit.
Best for: Home news presenters who need a basic multi-background set and soft lighting in one package.
Not ideal for: Broadcasters who need high color accuracy or consistent output figures; the CRI is 80 and the bulb wattage is listed inconsistently.
- Softboxes:2 Pavo Real, 24 × 24 in
- Umbrellas:2, 33 in
- LED bulbs:4, daylight-balanced, 5700K
- Bulb wattage:Listed as 30W in the description and 23W in specifications
- Light stands:4, extend to 6.7 ft
- Backdrops:3 muslin: black, white, and green; 5 × 10 ft
- Backdrop stand:4.4–6.7 ft wide; 6.7 ft high
- Color rendering index:80
Our verdict“Choose the LINCO if you need lighting and multiple backdrops in one starter setup and can accept limited color precision.”
Andoer Softbox Photography Lighting Kit with 85W Bi-Color LED Lights
The Andoer kit is the clearest fit here for a news presenter who wants three separately positioned soft sources. Its three lights, stands, and rotating 20 × 28-inch softboxes make it easier to build a key, fill, and background arrangement than the two-light Torjim kit. Brightness adjustment from 1% to 100% and a 2800–5700K range also let the operator tune output and warmth without changing bulbs. The remote controls are useful when lights are out of reach, though the listed CRI of 80 doesn’t match the EMART’s higher color-rendering figure. I’d favor Andoer for a presenter-led set needing flexible three-point positioning; I’d skip it if accurate skin tones are the priority or if a compact kit matters, since three stands and softboxes take up room.
Pros:- Three lights allow separate key, fill, and background placement.
- Brightness and color temperature are adjustable across broad ranges.
- Softboxes rotate 210° to help direct light around a presenter and set.
- Each light includes a remote for adjustments from across the studio.
Cons:- CRI 80 is a weaker fit for accurate skin-tone reproduction than the EMART kit’s CRI of at least 93.
- Three stands and softboxes need more setup and storage space than the two-light Torjim kit.
- The kit is not water resistant.
Best for: Solo news creators or small production teams building a three-point presenter setup with adjustable brightness and color temperature.
Not ideal for: Color-critical newsroom productions, or creators with little storage space; its CRI is 80 and the three-light arrangement has a larger footprint.
- Lights:3 LED lights, listed as 85W
- Color temperature:2800–5700K
- Brightness adjustment:1%–100%
- Softboxes:3, 50 × 70 cm (20 × 28 in)
- Softbox rotation:210°
- Light stand height:68–200 cm (26–78 in)
- Color rendering index:80
- Included controls and accessories:3 remote controls, boom arm, carrying case
Our verdict“Pick Andoer when three independently placed, adjustable soft sources matter more than high color accuracy or a small footprint.”
EMART Softbox Photography Lighting Kit with 50W LED Bulbs and Boom Arm
For a news setup where skin tone and repeatable color matter, the EMART kit has the strongest stated color-rendering specification in this group: CRI ≥93, compared with 80 for the Andoer and Torjim kits. Its three dimmable bulbs cover 3000–6000K, while remote and app controls give a presenter or producer ways to adjust the lights without walking to each stand. The two square softboxes plus an octagonal unit also offer more shape variety than Torjim’s matching pair. A boom arm and sandbag add overhead placement potential, but the stands reach only 63 inches, and the boom’s stability depends on using the sandbag. I’d choose EMART for controlled indoor interviews and desk broadcasts; it is less suitable for a tall set or anyone who wants the longest stand reach.
Pros:- CRI of at least 93 supports more faithful skin and set color than the CRI 80 Andoer and Torjim kits.
- Three bulbs provide adjustable brightness and 3000–6000K color temperature.
- App and remote controls offer convenient adjustments from the set.
- Two square softboxes and an octagonal softbox provide varied light shapes.
Cons:- The 63-inch maximum stand height is shorter than the Andoer stands, which extend to 78 inches.
- The boom arm relies on the included sandbag for stability.
- Remote control requires two AAA batteries that are not included.
Best for: News presenters and interview creators who prioritize natural-looking skin tones, adjustable color, and app or remote control.
Not ideal for: Tall presenters or productions needing high-mounted lights; the stands top out at 63 inches and the boom arm needs its sandbag for stability.
- Bulbs:3 × 50W LED
- Color temperature:3000–6000K
- Brightness:Stepless dimming, 1%–100%
- Color rendering index:CRI ≥93
- Softboxes:Two 16 × 16 in and one 20 × 20 in octagonal
- Light stand height:17–63 in (43–160 cm)
- Boom arm length:17–29.5 in (43–75 cm)
- Controls:Remote control and mobile app
- Included accessories:Sandbag, cable ties, carry bag
Our verdict“Choose EMART for a compact indoor news set where color fidelity and convenient control outweigh extra stand height.”
Torjim Softbox Photography Lighting Kit with 85W LED Bulbs
The Torjim two-light kit suits a straightforward presenter setup: one softbox can serve as the key light and the other as fill, without the extra stands and controls in the three-light Andoer or EMART kits. Its 20 × 20-inch softboxes include diffusers, and the heads rotate 210° to help aim softened light at a desk or standing presenter. Color temperature spans 3000–7500K, giving more warmth adjustment than LINCO’s fixed 5700K bulbs. The tradeoff is a stated CRI of 80, which falls short of EMART for color fidelity, and a 62-inch tripod height that limits high-angle placement. This is a practical pick for a basic, permanent two-light news corner, but not for a larger set that needs a separate background light or taller stands.
Pros:- Two matching softboxes make a simple key-and-fill setup easy to plan.
- Diffusers soften the light for a less harsh presenter image.
- Adjustable 3000–7500K color temperature offers more tuning than LINCO’s fixed daylight bulbs.
- Rotating heads help direct each source without moving the whole stand.
Cons:- Two lights provide less placement flexibility than the three-light Andoer and EMART kits.
- CRI 80 is below EMART’s stated CRI of at least 93.
- The 62-inch stand height may restrict lighting angles for standing presenters.
Best for: Home broadcasters who want a simple two-light key-and-fill arrangement for a desk or seated presenter.
Not ideal for: Teams needing three-point lighting, taller placements, or stronger stated color accuracy; it has two lights, 62-inch stands, and CRI 80.
- Softboxes:2, 20 × 20 in
- Bulbs:2 LED bulbs, 85W each
- Color temperature:3000–7500K
- Color rendering index:80
- Tripod height:62 in
- Head rotation:210°
- Materials:PET, nylon, and aluminum alloy
- Included:2 soft diffusers and 1 remote
Our verdict“Choose Torjim for a no-frills two-light desk studio, but look to Andoer or EMART for a separate third source.”
ALTSON USB LED Photography Lighting Kit with Adjustable Tripods and Color Filters
The ALTSON kit is the smallest-footprint option here, built around three compact panels rather than the larger softboxes in the LINCO or Torjim kits. That makes it easier to place around a laptop or a tight presenter desk, and USB power can suit a setup already supplied by compatible power sources. Its listed CRI of 98+ is the highest figure in this group, a useful advantage for skin and graphics, while brightness adjusts from 10% to 100%. The nine filters add colored effects, though they are less central to a conventional news look than the neutral soft light offered by softboxes. The key compromise is coverage: each panel is only 5.73 × 3.78 inches, and the tripods reach 48.39 inches. I’d choose it for close desk streams, not wide shots or standing presenters.
Pros:- Compact panels and adjustable tripods fit tighter desk setups than the LINCO softboxes and backdrop frame.
- CRI 98+ is the strongest stated color-rendering figure among these five kits.
- USB power offers flexible placement when a suitable 5V/2A source is available.
- Brightness adjustment and nine filters allow intensity and color-effect changes.
Cons:- Small panels provide less coverage than the softboxes in the Torjim and Andoer kits.
- Requires a suitable USB power source, recommended at 5V/2A.
- Tripods top out at 48.39 inches, limiting use for standing presenters.
Best for: Desk-based news streamers and solo creators who need compact, USB-powered lights close to the camera.
Not ideal for: Presenters filming wide or standing shots, or anyone needing broad soft illumination; the panels are small and tripods reach only 48.39 inches.
- Panels included:3
- Panel size:5.73 × 3.78 in
- LED beads:70 per panel
- Light color:5600K white
- Brightness:1000 lm; adjustable from 10%–100%
- Color rendering index:CRI 98+
- Power:USB; 5V/2A recommended
- Tripod height:27.19–48.39 in
- Adjustment and filters:180° rotation; 9 color filters
Our verdict“Pick ALTSON for a close, compact desk broadcast where USB convenience and color accuracy matter more than wide-area coverage.”
Godox SK400II 800Ws Studio Strobe Monolight Kit, 2 Lights
For a news set built around a fixed desk or standing presenter, this two-strobe kit offers more control and flash output than the continuous LED kits here. The 2.4GHz wireless control adjusts power and modeling lamps remotely, while the Bowens mounts leave room to shape the light with compatible modifiers. Its included softbox, umbrellas, reflectors, and barn door kit can support a more deliberate key-and-fill setup than the simpler Skytex 2-Pack. The tradeoff is that these are strobes, not continuous video lights: modeling lamps help with positioning, but they do not replace steady illumination for a live broadcast or video recording. I’d choose this for a photo-led news studio or a hybrid room that already has continuous lights; buyers needing plug-in light for on-camera video should favor the Torjim 100W kit instead.
Pros:- Two strobes and a broad selection of modifiers support key-and-fill setups.
- Built-in 2.4GHz wireless control adjusts flash output and modeling lamps.
- Bowens mounts allow use with compatible light-shaping accessories.
- Output memory and recovery help maintain chosen settings between shots.
Cons:- Strobes are unsuitable as the primary continuous light source for video or live broadcasts.
- Wireless triggering requires compatible 2.4GHz equipment, and modifiers must support Bowens mounts.
- The kit is not water resistant.
Best for: Photo-led newsrooms and hybrid studios that need two controllable strobes, a range of modifiers, and wireless power adjustment.
Not ideal for: Presenters recording video or streaming under the kit’s own light, since flash output is not continuous illumination.
- Lights:2 SK400II strobe lights
- Flash power:800Ws
- Wireless control:2.4GHz RF; range up to 100 m
- Output adjustment:40 steps, 1/16 to 1/1
- Modeling lamp:150W; adjustable from 5% to 100%
- Color temperature:5600 K
- Mount:Bowens
- Included accessories:XT-16 transmitter, 2 stands, softbox, reflector, 2 umbrellas, barn door with gel grid, carrying case, cleaning cloth
Our verdict“Choose this for a controlled, photo-focused news studio that benefits from strobes and modifiers, not for continuous on-camera video lighting.”
Torjim 100W Softbox Lighting Kit with 24-Inch Quick-Release Softbox and Grid
This kit is the clearest fit for a small news desk or presenter setup that needs continuous, adjustable light rather than flash. Its 100W output, stepless dimming, and 3000–6500K range let a user tune brightness and color to the room, while the 24-inch softbox and honeycomb grid soften the face without spreading as much light onto a background. Compared with the Godox SK400II, it is designed for video use and simpler on-camera adjustment, but it supplies one light rather than a two-light strobe arrangement. The 63-inch tripod also gives less height flexibility than the Skytex stands, which reach 79 inches. I’d pick it for a one-presenter corner where compact setup matters; a newsroom needing separate key, fill, and background lights will likely need additional fixtures.
Pros:- Continuous 100W light suits video, streaming, and on-camera presentation.
- Brightness and color temperature are adjustable to match the room and desired look.
- Honeycomb grid helps limit spill onto walls and backgrounds.
- Quick-release softbox and included bags simplify setup and storage.
Cons:- One light cannot provide separate key, fill, and background illumination on its own.
- The 63-inch tripod is shorter than the stands supplied with the Skytex kits.
- Infrared remote needs a clear aim toward the sensor on top of the light.
Best for: Solo presenters, streamers, and small news desks wanting one continuous soft light with adjustable color and spill control.
Not ideal for: Studios lighting multiple people or building a three-point setup from a single kit, or users who need a taller stand than 63 inches.
- Light power:100 watts
- Brightness:Stepless dimming
- Color temperature:3000–6500K
- Softbox:24 inches; quick-release design
- Light control:On-light controls and infrared remote
- Stand height:63 inches
- Mount:Bowens
- Included accessories:Honeycomb grid, inner and outer diffusion cloths, remote, softbox storage bag, carry bag
Our verdict“Pick this for a compact presenter setup needing one controllable continuous soft light, and add another fixture if you need full-set coverage.”
Torjim Softbox Photography Lighting Kit with 85W LED Bulbs
For a first home news setup, this kit keeps the arrangement straightforward: two softboxes, two LED bulbs, and two stands provide the basics for lighting a seated presenter from both sides. The heads rotate up to 210 degrees, which helps redirect light when the camera, desk, or background changes position. Its 3000–7500K range is broader than the Torjim 100W single-light kit’s listed range, but the CRI of 80 is a limitation for buyers seeking more precise color rendering on faces or wardrobe. The small 16 × 16-inch softboxes are also less expansive than Skytex’s 20 × 28-inch units, so the light may feel less broad across a wider set. I’d choose this for a modest, movable setup; it is not the strongest fit for color-critical production or a large studio.
Pros:- Two lights and stands make a basic key-and-fill arrangement possible from one kit.
- Adjustable 3000–7500K color temperature offers flexibility for different room lighting.
- Rotatable heads help aim the softboxes around desks and camera positions.
- Diffusers soften the light for a more even appearance on camera.
Cons:- 16 × 16-inch softboxes are smaller than the Skytex 20 × 28-inch models.
- CRI 80 may not suit productions that need more precise color rendering.
- The kit is not water resistant.
Best for: New home-studio presenters who need a basic two-light arrangement, adjustable color temperature, and simple repositioning.
Not ideal for: Color-critical news production or wide sets where larger softboxes and a stronger color-rendering specification are priorities.
- Softboxes:2, each 16 × 16 inches
- Bulbs:2 adjustable 85W LED bulbs
- Color temperature:3000–7500K
- Color rendering:CRI 80
- Stand height:62 inches
- Head rotation:Up to 210°
- Included accessories:2 soft diffusers and 1 remote
- Water resistance:Not water resistant
Our verdict“Choose this as a simple starter pair for a small news corner, but look at Skytex’s larger softboxes for broader coverage.”
Skytex Softbox Lighting Kit with Three LED Bulbs and Adjustable Stands
When one key and one fill leave a news set looking flat, this Skytex kit’s three softboxes offer more ways to separate the presenter from the background. Two rectangular boxes can cover the subject, while the octagonal unit gives a third source for a background or hair-light role, depending on placement. That flexibility goes beyond the two-light Torjim starter kit and the Skytex 2-Pack, though it also means more stands, cables, and room to manage. The bulbs dim from 1–100% and shift from 2700–6400K by remote, which helps adapt the look to different rooms. Its CRI 80 is a compromise for color-sensitive work, and the supplied information does not specify the hardware interface. I’d choose it for a more involved fixed studio, not a tight desk corner.
Pros:- Three softboxes allow more varied key, fill, and background arrangements than two-light kits.
- Includes two rectangular softboxes and one octagonal softbox for different lighting roles.
- Remote adjustment covers brightness and color temperature.
- Four-legged stands are designed for added stability, and a carrying bag is included.
Cons:- Three fixtures require more floor space and setup time than the Skytex 2-Pack.
- CRI 80 may be limiting for color-sensitive on-camera work.
- Hardware interface is listed as unknown, and warranty duration is not specified.
Best for: Small production teams building a multi-angle presenter set with separate subject and background lighting.
Not ideal for: Solo creators with limited floor space or buyers who need a clearly specified hardware interface and higher color-rendering performance.
- Softboxes:Two 20 × 28-inch rectangular softboxes and one 28-inch octagonal softbox
- LED bulbs:3 × 85 W
- Color temperature:2700–6400 K
- Brightness adjustment:1–100% via remote control
- Stand height:26–79 inches
- Color rendering:CRI 80
- Power input:100–240 V
- Included accessories:3 remote controls, boom arm, Oxford cloth carrying bag
Our verdict“Pick this when a news set needs three distinct light positions and has room for a larger, more involved setup.”
Skytex 2-Pack Softbox Lighting Kit with Dimmable LED Bulbs
This two-light Skytex kit makes sense for a news desk that needs even coverage without the extra footprint of a third fixture. Its 20 × 28-inch softboxes are larger than the Torjim 16 × 16-inch pair, giving each light a broader area to soften shadows across a presenter. Dimming and 2700–6400K adjustment let users tune the lamps for the room, while the stands extend from 26 to 79 inches for seated or standing framing. Compared with the three-light Skytex kit, this one is simpler and easier to fit into a small studio, but it cannot dedicate a third source to the background. The product data also does not state a CRI, so I would not choose it over a kit with a documented color-rendering figure when color accuracy is a priority. Remote batteries are not included.
Pros:- Two 20 × 28-inch softboxes provide broader diffusion than the Torjim 16 × 16-inch pair.
- Brightness and color temperature can be adjusted to suit the room.
- Stands adjust from 26 to 79 inches for seated or standing presenter setups.
- A carrying bag supports storage and transport.
Cons:- Two lights do not provide the dedicated third position available in the other Skytex kit.
- Remote-control batteries are not included.
- The product data does not specify CRI, and the kit is not water resistant.
Best for: Home news presenters and small teams who want two broad soft sources, adjustable stands, and a straightforward desk setup.
Not ideal for: Studios that need a separate third light for the background or buyers who require a documented CRI for color-sensitive work.
- Softboxes:2, each 20 × 28 inches
- Bulbs:85W dimmable LED bulbs
- Color temperature:2700K–6400K
- Brightness adjustment:1–100%
- Stand height:26–79 inches
- Stand material:Aluminum alloy
- Included accessories:2 remote controls and carrying bag
- Water resistance:Not water resistant
Our verdict“Choose this for a compact two-source news desk where broad diffusion matters more than a dedicated background light.”
UBeesize Softbox Photography Lighting Kit, 20 × 20 in
The UBeesize kit suits a small news setup where matching light color to a room matters more than covering a wide area. Its two 20 × 20-inch softboxes and diffusers soften facial shadows, while the bulbs’ 3000–7500K range gives more flexibility than the fixed 5700K bulbs in the NEEWER 700W Equivalent kit. The remote and 210° rotating heads make it easier to adjust both lights from a seated recording position. Its 62-inch stands are shorter than NEEWER’s 83-inch stands, which can limit overhead placement or framing around standing presenters. The product details also do not identify whether the bulbs are LED or CFL, so buyers seeking clearly specified LED lighting may prefer NEEWER. This is a useful two-light starter, but not the strongest choice for tall setups.
Pros:- Two softboxes and diffusers soften shadows across a presenter’s face.
- 3000–7500K range allows adjustment for different room-light colors.
- Remote and 210° heads make positioning and control more flexible.
- The kit includes both bulbs, stands, softboxes, and diffusers.
Cons:- 62-inch stands offer less height than the NEEWER kit’s 83-inch stands.
- The description does not identify whether the bulbs are LED or CFL.
- The stand height adjustment range is not specified.
Best for: Solo presenters recording from a seated desk who want two softened lights and a broad color-temperature range for matching room lighting.
Not ideal for: Standing presenters or buyers who need tall stands and clearly specified LED bulbs; the listed stands reach 62 inches and bulb type is not stated.
- Softbox size:20 × 20 in
- Bulb power:85W each
- Color temperature:3000–7500K
- Tripod height:62 in
- Adjustable head:210° rotation
- Included items:2 softboxes, 2 bulbs, 2 tripod stands, 2 soft diffusers, 1 remote
- Softbox material:PET fabric with foldable nylon cover
- Tripod material:Aluminum alloy
Our verdict“Choose this kit for a compact presenter setup that benefits from adjustable color temperature, but pick NEEWER if stand height and specified LED bulbs matter more.”
NEEWER 700W Equivalent Softbox Lighting Kit, 2-Pack
For a news corner that needs lights positioned above seated eye level or around a standing presenter, the NEEWER 700W Equivalent kit has a practical advantage: its stands extend to 83 inches, well beyond the UBeesize kit’s 62-inch stands. Two 24-inch softboxes provide broader diffusion than UBeesize’s 20-inch pair, helping create a larger, softer light source across a wider framing area. The 5700K bulbs provide a consistent daylight balance, though they offer less color-matching flexibility than UBeesize’s adjustable-temperature bulbs. The included bag is helpful when the kit must move between rooms, and quick locks simplify stand adjustment. Buyers should note the listing’s inconsistent socket details despite specifying E26, and this 110V kit is not water resistant. Its fixed color and setup footprint make it less flexible for mixed-light rooms.
Pros:- 83-inch stands allow higher light placement than the UBeesize kit’s 62-inch stands.
- 24-inch softboxes provide a larger diffused source than the 20-inch UBeesize pair.
- Includes two 35W LED bulbs and a carrying bag.
- Quick-lock stands support faster height adjustments.
Cons:- Fixed 5700K bulbs provide less color flexibility than UBeesize’s 3000–7500K bulbs.
- Socket details are inconsistent in the listing, despite the stated E26 socket.
- The kit is not water resistant.
Best for: Small newsroom teams filming standing presenters or wider shots who need taller stands, broad softboxes, and a portable kit.
Not ideal for: Presenters recording in rooms with warm or mixed lighting who need adjustable color temperature, or anyone needing weather-resistant equipment.
- Softbox size:24 × 24 in (60 × 60 cm)
- Bulbs:2 × 35W LED
- Color temperature:5700K
- Bulb equivalent:350W incandescent per bulb; 700W total
- Light output:3150 lumens per bulb
- Socket:E26
- Light stand height:83 in (210 cm)
- Voltage:110V
- Included carrying bag:Yes
Our verdict“Pick NEEWER for taller news setups and broader diffusion, but choose UBeesize if matching different room-light colors is the priority.”
ShowMaven Photography Lighting Kit with Softboxes and Backdrops
The ShowMaven kit is the set-building choice in this group: alongside three softboxes, it includes umbrellas, five stands, a background support system, fabric backdrops, and a reflector. That range helps a presenter create a dedicated branded or neutral background rather than lighting only a desk or wall. It is much more expansive than the two-light UBeesize and NEEWER kits, but that breadth also means more gear to assemble and store. Its 27–78-inch stands and three 20 × 28-inch softboxes offer several placement options, while the 5500K CFL bulbs provide a daylight-oriented balance. Unlike UBeesize, the bulbs do not offer a stated adjustable color range; unlike NEEWER, the kit includes substantial backdrop hardware. It makes most sense when the background is part of the production plan, not for a quick, space-saving setup.
Pros:- Includes softboxes, umbrellas, backdrops, background support, and a reflector for shaping a complete set.
- Five adjustable stands support varied light and modifier placement.
- Three fabric backdrops allow presenters to change the set background.
- Backdrops are machine washable and can be ironed at low temperature.
Cons:- The large collection of stands and background equipment takes more storage and setup space than the two-light kits.
- 5500K CFL bulbs have no stated adjustable color-temperature range.
- Uses a US-standard plug and is not water resistant.
Best for: News creators building a permanent or semi-permanent home studio who need lighting, background support, and fabric backdrops in one package.
Not ideal for: Mobile reporters, small desk setups, or buyers who only need a simple two-light arrangement; the multiple stands and backdrop system require more storage and setup space.
- Light bulbs:5 × 45W CFL
- Color temperature:5500K
- Light stands:5 adjustable stands, 27–78 in
- Softboxes:3, 20 × 28 in
- Umbrellas:5, 33 in
- Backdrops:3 polyester fabric backdrops, 5.25 × 9.2 ft
- Background support:6.5 × 10 ft
- Reflector:24 in, five-in-one
- Plug type:US standard
Our verdict“Choose ShowMaven when you need backdrop hardware as well as lighting, but skip it for a compact news desk that only needs two soft lights.”
How We Picked
I ranked these kits by how well their listed equipment supports a news-style setup: a clearly lit presenter, repeatable results, manageable spill, and practical use around a camera. I gave weight to light type and control, including continuous LED output for video, bi-color adjustment, dimming, softbox size, grids, stand flexibility, and the number of usable fixtures. I also considered whether the included pieces solve a real studio need or add setup burden.
The ranking favors adaptable, continuous lighting that can shape a presenter’s face without requiring a flash workflow. That puts the Torjim 100W with grid near the top, with the Andoer bi-color kit strong for color matching and simpler softbox kits serving tighter budgets or basic rooms. The Godox strobe kit remains a specialized pick rather than a general live-video winner; its flash-oriented output can be valuable for stills, but it is less suited to continuous on-air illumination. Where product names repeat or specifications are limited, I avoid assuming unseen differences.
Factors to Consider When Choosing News Studio Lighting Kits
Choosing lights for a news set is less about buying the largest kit and more about making faces look consistent from shot to shot. I’d plan around the room, camera position, and whether the set is used for live video, recorded segments, stills, or all three.
Match the light source to your camera workflow
For live broadcasts and recorded video, continuous lights let you see the effect before you go on air and make adjustments while framing the shot. Strobes such as the Godox SK400II can produce strong bursts for still photography, but they do not replace continuous illumination for a presenter speaking on camera. If your studio also shoots portraits, a strobe may earn its place as a second system rather than the only kit. Check whether your camera setup can use any required triggering or control accessories. Buying a flash-oriented kit for video can leave you with power you cannot use in the way you expected.
Plan for color matching across room lights
Mixed overhead lights, windows, and studio fixtures can give skin tones inconsistent color across the frame. A bi-color light, such as the Andoer option in this lineup, can give you more room to match the surrounding light than a fixed-color bulb. Another approach is to turn off competing room lights and use a consistent set of fixtures. That may improve control, but it can make the studio feel less natural to people working in it. Before buying, decide whether you need to blend with existing light or can control the whole room.
Choose softbox size and control for the room
A larger softbox can spread flattering light over a presenter, but it also takes up more floor space and may crowd a desk, camera, or teleprompter. A grid, like the one supplied with the Torjim 100W kit, helps limit spill onto a backdrop or monitor. Small rooms often benefit more from controlled placement than from adding another broad light. Check the distance between the subject and the background, since light spilling onto a wall can flatten the image. Measure the usable area with stands open before selecting a kit.
Decide whether you need one key light or a full setup
A basic anchor shot may need a key light and a reflector before it needs a three-light arrangement. A second fixture can fill shadows or light the background, while a separate backlight can help distinguish the presenter from the set. Extra lights add stands, cables, outlets, and more settings to keep consistent between broadcasts. For small teams, a simpler arrangement can be easier to reproduce every day. Add fixtures only when you have a clear role and placement for each one.
Treat stands, setup time, and repeatability as part of the kit
A light that looks suitable on paper still has to fit safely around desks, people, and camera paths. Check stand height, footprint, adjustment points, and how quickly the softbox can be assembled or stored. Quick-release designs can help when a set is packed away between shoots, while permanent studios may care more about secure placement and repeatable marks. Mark stand and light positions on the floor so framing and exposure are easier to recreate. If a kit will be moved often, account for the time and space needed to store its pieces.
Separate lighting needs from set-building needs
Bundles with backdrops can help a new channel create a defined background, but the backdrop does not make the key light better. Fabric, wall color, and available room depth affect whether a background looks clean on camera. A backdrop also needs enough distance from the presenter to limit shadows and keep the set from feeling cramped. If your studio already has a finished wall or branded set, a backdrop package may add clutter instead of value. Spend effort on consistent facial lighting before adding set pieces that do not solve a current problem.
Frequently Asked Questions
Are continuous LED kits or studio strobes better for a live news broadcast?
For a live or recorded presenter, continuous lighting is usually the more direct fit because you can see the illumination while setting exposure and framing. The Godox SK400II is a strobe kit, so its strongest use is flash photography rather than a speaker lit continuously during a take. A studio that also produces still portraits may have a reason to own strobes alongside video lights. If video is the main job, prioritize fixtures designed to stay on and check their output and control options. This avoids choosing a powerful kit whose main mode does not suit your broadcast workflow.
Do I need bi-color lights to film in a room with overhead lighting?
Bi-color adjustment can help match a fixture to the color of existing room lights, which may reduce visible color differences across a presenter’s face. It is not the only solution: you can turn off overhead fixtures and light the set consistently if the room allows it. The Andoer kit is the lineup’s clear bi-color option, while fixed-color bulb kits call for more planning around ambient light. Check the color of practical lights and windows at the time you record, since daylight can change. Choose bi-color for flexibility, not as a substitute for controlling mixed sources.
Can a two-light kit provide a professional-looking anchor setup?
Yes, a two-light kit can be enough for a clean presenter shot when one fixture serves as the key and the other fills shadows or lights the background. The result depends on placement, room size, and whether the background needs separate treatment. Adding a third light without a clear purpose can create competing shadows or make the set harder to reproduce. Start with a consistent key position, then use the second fixture only where the image needs it. A reflector can also soften contrast without adding another powered light.
Should I choose a kit with backdrops if I already have a studio wall?
Usually not unless the wall is unsuitable for camera or you need a different look for separate shows. The ShowMaven bundle adds set-building pieces, but those do not replace the need for controlled light on the presenter. A finished wall may be easier to maintain and quicker to set up than fabric that needs storage and careful placement. Check the distance available between the presenter and background before adding a backdrop, since tight spacing can create unwanted shadows. Put the budget and floor space toward lighting control if the existing set already works.
How should I compare two listings with the same product name?
Compare the exact package contents rather than assuming the listings describe different lighting designs. This roundup includes the Torjim 85W softbox kit twice, and the names alone do not establish a meaningful distinction. Check the number and type of bulbs, stand count, softbox dimensions, included controls, and any changes to accessories. A package variation may matter if it supplies an extra fixture or a different bulb, but identical contents offer no clear reason to favor one listing. Confirm the seller’s current specification sheet before making a decision.
Conclusion
For most small news sets, I’d choose the Torjim 100W Softbox Lighting Kit as the best overall fit because its grid adds useful spill control and the quick-release design supports faster setup. The Andoer bi-color kit is my best value-style choice for rooms where matching existing light matters, while the Godox SK400II is the best premium specialist for studios that also need strobe output for still photography—not a first choice for continuous broadcasts. Beginners should favor a straightforward continuous softbox arrangement such as the EMART or UBeesize kit and focus on learning placement before adding fixtures. For specific needs, choose ALTSON when compact USB lighting and color filters fit the shot, or ShowMaven when a backdrop bundle helps build a set from scratch. The right pick depends on whether your priority is repeatable on-camera light, color flexibility, portability, or a complete background setup.
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